TRIBUTE GIBSON LES PAUL NECK JOINT SERIAL NUMBER
TRIBUTE GIBSON LES PAUL NECK JOINT TV

While the Junior featured much less ornamentation than the more expensive Les Paul models, the workmanship and materials conform to Gibson quality standards.

It feels and sounds very much like a typical Les Paul Junior, and is certainly good enough to be used onstage or in the studio, though some players might find that the elevation of the fingerboard feels awkward. The non-traditional neck joint of this early Les Paul Junior.ДЇrom a practical point of view, while it differs significantly from a typical Junior, this guitar functions extremely well as a practical musical instrument.

TRIBUTE GIBSON LES PAUL NECK JOINT TV

The later sunburst was done by first spraying a light opaque color (similar to the TV modelвЂ™s limed mahogany), then applying the sunburst stain to give greater contrast.

The production modelвЂ™s pickguard permitted an exposed end of the tenon joint, which is much simpler for the manufacturer.

The standard Les Paul Junior design has a 3В° neck pitch, permitting a much lower riser. 4вЂі-thick riser under the fingerboard to raise it off the top.

This guitar has zero neck-angle pitch, which necessitates a.

To the best of our knowledge, there are no records that would shed light on these questions, but from a practical point of view, several observations are worth noting: We must also speculate as to why Gibson made this guitar with such an unusual neck joint, or why they chose to introduce a different color, different pickguard shape, and different neck joint on the standard production model from 1954 onward. But when this guitar was made, prototypes received no such treatment, so we can only speculate as to whether itвЂ™s a prototype or merely an early example with different specs. The silkscreened Les Paul Junior logo on the peghead is the same style used from 1954 onward, and the body shape is the typical single-cutaway Les Paul-style.Д«eginning in the вЂ™70s, Gibson marked prototypes on the back of the peghead with a special stamp. Further, the P-90 pickup is the same type used on the ES-125 and ES-175 of the period, with a black plastic cover different in dimension from those on typical Juniors. This finish is similar to that on the ES-125 of the time. Additionally, the instrument differs from a typical Les Paul Junior with its darker sunburst, with brown (rather than yellow) stain in the middle. This neck joint (see inset), while obviously original, differs from other Les Pauls. The neck is set into the body such that the fingerboard is significantly higher than the level of the top. Further inspection reveals numerous other differences between this guitar and a typical Junior. But, typical of a Les Paul Junior, itвЂ™s black and screwed directly onto the top of the instrument.

On first glance, itвЂ™s evident the guitar has a pickguard shaped similar to that of a goldtop Les Paul.

TRIBUTE GIBSON LES PAUL NECK JOINT SERIAL NUMBER

This instrument has no serial number on the back of the peghead, though the tone and volume pot codes indicate they were made in 1953, and the guitar differs in specifications from any other Les Paul Junior. But here we have what appears to be a 1953 example.

GibsonвЂ™s records say the Les Paul Junior was introduced in 1954. VG Overdrive is sponsored by Mojotone 1953 Gibson Les Paul Junior photo courtesy George Gruhn.

Tribute gibson les paul neck joint